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聲音
"The Sound "
1975樂團的單曲
收錄於專輯《美夢突襲》
發行日期2016年2月19日
類型
時長
  • 4:08（專輯版）
  • 3:47（電台版）
唱片公司
詞曲
  • 馬修·希利
  • 喬治·丹尼爾
  • 亞當·漢恩
  • 羅斯·麥克唐納
製作人
1975樂團單曲年表
啊!
（2015年） 		聲音
（2016年） 		別人
（2016年）
音樂影片
YouTube上的〈聲音〉

〈聲音〉（英語："The Sound"）是英國1975樂團的一首歌曲，收錄於第二張錄音室專輯《突襲美夢》中，由全體團員喬治·丹尼爾、馬修·希利、亞當·漢恩、羅斯·麥克唐納創作，麥克·克羅斯（英語：Mike Crossey）監製。這首歌作為專輯第四首單曲，於2016年2月19日由Dirty Hit與Polydor Records發行。〈聲音〉由倫敦社區福音合唱團（英語：London Community Gospel Choir）提供和聲。希利受到兒時的流行樂專輯啟發，試圖仿造該些過耳不忘的旋律，製作出一首「毫不掩飾」的流行歌曲。希利最初把歌送給一世代，但被該組合拒絕，於是樂團決定自己錄製和演唱。

〈聲音〉是一首浩室、流行、迪斯可和獨立流行歌曲，以1980年代風格的極繁主義（英語：Maximalism）4/4（英語：Four on the floor (music)）節拍為特色。這首歌的伴奏包含迪斯可浩室鋼琴、切分音合成器、合成弦樂和電吉他獨奏，並含有新浪潮、放克和R&B等的元素。歌詞主要聚焦在對於被關注、性愛和才智認可的渴望，詳述了一段暗藏欺騙的戀愛關係。從始至終，希利不斷表達其對愛人心跳聲的迷戀。甫經發行，歌曲就獲得當代音樂評論家的廣泛好評，評論將其視為《突襲美夢》的佼佼者，部分則特別對歌曲的製作、歌詞以及1975樂團擁抱流行樂的態度予以讚賞，並拿來與M83、傻瓜龐克、MGMT和Passion Pit（英語：Passion Pit）相提並論。

〈聲音〉出現在許多媒體發布的年末和十年末歌單中，包括《新音樂快遞》、《Pitchfork》和《時代雜誌》。商業上，歌曲在英國單曲榜最高排名第15名，為樂團當時在榜上所取得的最高名次。此外它還在美國《告示牌》熱門搖滾與另類歌曲榜名列第一，在愛爾蘭和日本進入前五十名。歌曲其後獲得英國唱片業協會的雙白金認證（BPI）。由提姆·馬蒂亞導演的音樂錄影帶於2016年2月26日釋出，片中樂團身在一個霓虹玻璃立方體裡，被陌生人圍觀著，針對樂團的批評文字則不時穿插出現。

背景和製作

編輯
 
〈聲音〉曾在一場創作聚會上被送給一世代

關於希利是否會與一世代合作的傳言在2014年浮出水面[1]。他後來在一次與《Q》雜誌的訪談中證實這些傳言的真實性，透露他和樂團有進去過錄音室。作為1975樂團專輯的粉絲，一世代曾邀請希利到辦在倫敦的一次創作聚會。希利和樂團在錄音室裡待了幾個小時，但不確定要向他們展示什麼[1][2]。於是他決定秀給他們聽聽看1975樂團「更流行的試聽帶」，即〈聲音〉。一世代成員對試聽帶的看法含糊不清，並表示想要做一首聽起來像樂團其他歌曲的曲子[2]。對於這次經歷，希利說：「我本以為事情會順著我的意，但結果真的不是這麼一回事。它沒有產生共鳴，所以我想專注在我自己的事就好了吧」[1]

2016年1月14日，〈聲音〉作為樂團的第二張專輯《突襲美夢》的第三首單曲提前於專輯發行[3][4]。單曲在BBC廣播一台一檔由安妮·麥克（英語：Annie Mac）主持的同名節目首播，在節目中，希利表示這首歌曲啟發自他孩提時聽的「流行樂耳蟲，讓耳朵懷孕的那種」，並稱他自然而然地提取出「大流行唱片」的精華並且植入到歌曲裡，特別是它們過耳不忘、朗朗上口的旋律。對於單曲在《突襲美夢》的收錄，他覺得它自信爆棚的流行聲音對比專輯的其他歌曲呈現出很大的反差，他告訴麥克：「（〈聲音〉）流露出流行風格，可以說是毫不掩飾。」[5]在與《新音樂快遞》的訪談中，希利透露〈聲音〉是專輯中最老的一首曲目，橋段和副歌都是已做好的，產生自《The 1975》的創作會議。被問及當初為何將〈聲音〉排除於他們第一張專輯背後的原因，他說樂團缺乏自信把它收錄進去[6]。

詞曲

編輯

在音樂性上，〈聲音〉是一首浩室[7][8][9]、流行[10][11][12][13]、迪斯可[14][15][16] 和獨立流行[17][18]歌曲。根據哈爾·倫納德音樂出版在Musicnotes.com上出版的樂譜，〈聲音〉拍號設置於常態拍子（4/4拍），以中板的每分鐘120拍速度演奏。這首歌由C大調創作而成，希利的人聲音域位於G3和A4音的區間。樂曲有一段固定為F–Em–G–Am–Dm的和弦進程[19]。〈聲音〉以1980年代風格的極繁主義（英語：Maximalism）4/4（英語：Four on the floor (music)）節拍為特色[20][21][22]，包含快節奏的韻律[10]、陳述性的和弦脈動、迪斯可浩室鋼琴[23]、歡快且重複的鋼琴旋律、切分音鍵和合成器[24]、教堂式的合成器[7]、合成器脈動[25]、緊張的放克吉他[26]、合成弦樂[27]、悶音電吉他，並在最後的後副歌有電吉他獨奏[28]。歌曲採用一種聲音變形的技術，這被《Spin》的布倫南·卡利（Brennan Carley）拿來和M83的作品比較[28]，同時由倫敦社區福音合唱團（英語：London Community Gospel Choir）提供人聲和聲及合唱[24]。這首歌曲也包含流行舞曲[24]、Electropop[25]、1980年代新浪潮[29]、放克[30]、R&B[31]、流行福音[32]、迪斯可浩室以及合成器流行的元素[33][34][35]。

Lyrically, "The Sound" describes a relationship that struggles with deceit and is written in a conversational style, while Healy delivers the lyrics in a sulking tone, according to Ailbhe Malone of The Irish Times.[21][25] The single opens with the chorus as Healy sings: "Well I know when you're around / 'Cause I know the sound / I know the sound / Of your heart".[10][26] The upbeat chorus is contrasted by verses filled with gibes and deceit: "You're so conceited that I say that I love you / What does it matter if I lie to you?"[36] He refuses to entertain the fear of rejection and displays self-awareness in the couplet: "It's not about reciprocation, it's just all about me / A sycophantic, prophetic, Socratic junkie wannabe."[7][24] The track contains sexual undertones presented as innuendos, such as the singer asking a woman to have an orgasm a second time: "Oh, baby, won't you come again?"[26][10] Healy also derides his partner for calling him out of boredom while she masturbates, despite having ended their relationship to preserve his mental health.[10][36] Throughout the song, Healy details an addiction-like obsession with the sound of his lover's heartbeat. The singer has memorised its cadence, contractions and expansions, and is now unable to live without it. Healy sings about knowing her heartbeat so intimately that he can hear it even when she is not around.[26] The singer focuses on his desire for attention, sex, intellectual validation, intimacy and immortality, and is eager to both promote himself and air his insecurities.[20]

Thomas Green of The Arts Desk described "The Sound" as a house song composed in a "Bryan Adams-with-Chicane-style",[8] while Pryor Stroud of PopMatters said the single contains "just one, continuous eruption of pure-pop kinetic energy".[26] Euphoria Magazine editor Erin Hampton called the track a "party anthem" and said it connects the 1980s-influenced pop of the previous singles from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It together.[24] Natalie Harmsen of Atwood Magazine deemed "The Sound" the album's most upbeat and "explosive" song, noting it drastically contrasts the rest of the record.[13] NME writer Rhian Daly also said the track is one of the album's most upbeat songs, both musically and lyrically, while comparing it to Stardust's "Music Sounds Better with You" (1998).[36] Chris DeVille of Stereogum noted similarities between "The Sound" and the works of Justice, Daft Punk, MGMT and Passion Pit.[33] Renowned for Sound editor Jessica Thomas said the single continues to distance the 1975 from their "darker self-titled days",[10] a sentiment shared by Malone, who noted the track takes a "left turn from indie".[25] In contrast, Alison Boghosian of The Daily Orange felt "The Sound" is reminiscent of their debut album.[21] Pitchfork writer Laura Snapes said the song's melody is evocative of the band's "She Way Out" (2013).[9] Kitty Empire of The Guardian described the track as a "withering look at a relationship".[12] Greer Clemens of MTV News said "The Sound" can be read on two tiers; casual listeners may hear the hook and groove, while deeper listeners would hear self-aware irony and subtle, constant self-criticising.[37] Annie Zaleski of The A.V. Club said the release exemplifies the mix of self-awareness and ambivalence present on the album, noting it "describes a totally self-absorbed guy who is yet alert enough to notice his crush".[23]

Critical reception

編輯

Upon release, "The Sound" was met with widespread acclaim from contemporary music critics and later appeared on several year-end and decade-end lists. In NME's list of the 1975's best songs, "The Sound" was ranked at number two; Tom Smith said it has become "a knowing celebration of a band who stayed true to what they're good at – penning radio belters and having a laugh while doing so", while praising the playful attitude and "shimmering" production.[38] Collin Brennan of Consequence of Sound deemed the release a standout from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It.[39] Calling the track an album highlight, Jamieson Cox of The Verge praised the amount of hooks and labelled it an "irresistible bit of thumping house".[7] Matt Collar of AllMusic declared "The Sound" an album highlight and flatter the "brightly infectious" hooks, noting it is similar to the work of Prince.[4] Malone designated the song as her Track of the Week, commending the "transcendental [and] climaxing" chorus and calling it "fizzy, giddy and joyful and exactly what we need this grim January week".[25] Amy McCann of Variance deemed the track the album's best pre-release single, calling it "irresistible".[40]

Hampton praised the production of "The Sound" and its embrace of pop music, while calling it "fresh, body moving and beautifully produced".[24] Sean Adams of Drowned in Sound commended the song's "anthemic magic" and Matthew Strauss of Pitchfork said: "It's fun and clever and anthemic while taking the piss out of big anthems at the same time."[20][41] Thomas lauded the track's "infectious" beat, saying it is "undeniably one darn catchy pop tune crafted with the signature [t]he 1975 flair".[10] Tom Connick of DIY commended the 1990s-style production of "The Sound", self-referential lyrics and embrace of pop music, calling it "an unashamed throwback to the massive pop of days gone by, relishing in the glitz and glamour that the charts are so sadly devoid of".[27] Alex Ross of The Fader called the single a "soaring, danceable anthemic track", commending the lyrical reflection and sense of escapism, while highlighting its blend of 1980s synths, 1970s rock and late 1990s style.[42] Harmsen said the track "seamlessly" combines aspects of 1990s and modern pop, while praising its "ease and happiness".[13] Rolling Stone editors Jon Dolan, Brittany Spanos and Christopher Weingarten lauded the "neon-bright enthusiasm" and "tenderly catchy refrain" of "The Sound", saying the guitar solo and synths reference 1980s new wave without "getting too lost in nostalgia".[29]

Jonathan Wroble of Slant Magazine called "The Sound" an "ultraclean early Prince sendup" and Kika Chatterjee of Alternative Press compared it to Rick Astley "in a way that is, somehow, positive".[43][44] Carley said the song demonstrates "exactly how modern pop-rock groups should be doing things" while noting it "bodes well for the future of a very, very promising new album".[28] Carl Williott of Idolator said the track's release made it "immediately apparent that this British foursome didn't deserve to be lumped in with those other purveyors of optimized pap".[45] Lucas Fagen of Hyperallergic felt "The Sound" revives the album from a mid-album lull, saying it "would dominate the radio all summer if funk-lite still got airplay".[30] Stroud said the single's energy never appears to be out of control, writing it is "curated [and] fine-tuned to express an overwhelming infatuation without becoming overwhelmed by this infatuation itself".[26] Daly lauded the "piercing" synth stab, "glorious [disses]" and Hann's "triumphantly scorching" guitar solo.[36] Clemens highlighted the chorus and deemed it "one of [t]he 1975's catchiest lyrics", but also noted that some listeners may find the track's lyrics to be sexist, clichéd or "borderline sociopathic".[37] Exclaim! editor Ian Gormely highlighted the "soaring" chorus',[32] while Andy Baber of musicOMH called it "irresistible".[46]

Accolades

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Critical rankings for "The Sound"
Critic/Organization Time span Rank Published
year
Ben Beaumont-Thomas (The Guardian) Year-end * 2016[47]
Entertainment Weekly Mid-year 19 2016[17]
NME Year-end 12 2016[48]
Pitchfork Decade-end 178 2019[20]
Popjustice Year-end 38 2016[49]
PopMatters Year-end 4 2016[50]
Rolling Stone Mid-year 1 2016[29]
Red Bull Year-end 25 2016[51]
Spin Year-end 19 2016[52]
Tampa Bay Times Year-end 2 2016[34]
Time Year-end 2 2016[53]

Commercial performance

編輯

In the United Kingdom, "The Sound" peaked at number 15 on the UK Singles Chart before later being ranked at number 91 on the chart's year-end edition,[54][55] becoming the band's most commercially successful release at the time.[56] Additionally, the song reached number 11 in Scotland.[57] The track was later certified double platinum by the British Phonographic Industry (BPI), denoting over 1,200,000 certified units in the UK.[58] Elsewhere in Europe, "The Sound" peaked at number 25 in Ireland,[59] number 28 on the Belgium Ultratip Flanders chart and number 84 in Finland.[60][61]

In the United States, "The Sound" reached number nine on the US Billboard Hot Rock & Alternative Songs and was later ranked at number 26 on the chart's year-end edition.[62][63] Also in the US, the single peaked at number three on the Billboard Bubbling Under Hot 100 Singles chart,[64] number 24 on the Billboard Adult Top 40 chart,[65] number 32 on the Billboard Digital Song Sales chart and number 34 on the Billboard Mainstream Top 40 chart.[66][67] Elsewhere in North America, the track reached number 91 on the Billboard Canadian Hot 100.[68] In South America, "The Sound" peaked at number 10 on the Argentina Airplay chart.[69] In the Asia-Pacific region, "The Sound" peaked at number 53 in Australia and number six on the New Zealand Heatseekers chart.[70][71] The track was later certified gold by the Australian Recording Industry Association (ARIA), denoting over 35,000 certified units in Australia.[72] In Japan, the song reached number 42 on the Billboard Japan Hot 100.[73]

Music video

編輯

An accompanying music video, directed by Tim Mattia, was released on 25 February 2016.[74] The video begins with the 1975 performing "The Sound" inside transparent pink neon-lit box,[75][76] which the band use for their live performances.[77] During their performance,[76] strangers dressed in sterile white outfits slowly begin gathering to observe and get a closer look at the band.[77][78][79] As the observing crowd begin talking to one another, words flash up on pink screens, representing critiques levelled at the band.[75][76][77] The phrases include insults such as: "Terrible high-pitched vocals", "Punch-your-TV obnoxious", "Unconvincing emo lyrics", "Is this a joke?" and "Do people really still make music like this?", among others.[76][77] Other derogatory remarks about their debut album continue to be interspersed throughout the visual.[76] The box begins to fog up and the 1975 appear apprehensive about their situation, with Healy writing "Help Me" on one of the walls.[75][76] However, the band is suddenly transported away, and are able to watch the previously critical audience trapped inside the box.[75][76]

Lindsey Sullivan of Billboard viewed the video as a rebuttal of the 1975's critics, saying the "Manchester men are just as candid as they are catchy".[78] Larry Bartleet of NME called the visual "critic-trolling", while highlighting its "we don't give a shit" message and saying "you should probably get over yourself right now ... because no one cares. The 1975, especially, could really not care less".[75] Althea Legaspi of Rolling Stone praised the video's humour, noting it "finds [the band] taking on their critics in a humorous way".[76] Williot called the visual clever.[80] Emmy Mack of Music Feeds praised the 1975's "savvy hyper-awareness" and humour, deeming the video "smarter than your average".[81]

Credits and personnel

編輯

Credits adapted from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It album liner notes.[82]

Charts

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Certifications

編輯
Certifications and sales for "The Sound"
地區 認證 認證單位/銷量
澳大利亞（澳大利亞唱片業協會）[72] 金 35,000‡
英國（英國唱片業協會）[58] 2× 白金 1,200,000‡
美國（美國唱片業協會）[84] 白金 1,000,000‡

‡僅含認證的串流媒體+實際銷量

See also

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References

編輯
  1. ^ 1.0 1.1 1.2 The 1975 Nearly Gave 'The Sound' to One Direction. DIY. 2016-10-19 [2021-04-02]. （原始內容存檔於2017-08-12）. 
  2. ^ 2.0 2.1 Here's the truth about The 1975 writing songs for One Direction. BBC Radio 1. [2021-04-02]. （原始內容存檔於2018-09-15）. 
  3. ^ Manders, Hayden. The 1975 Debut 'The Sound' on Annie Mac. Nylon. 2016-01-14 [2021-04-02]. （原始內容存檔於2020-11-24）. 
  4. ^ 4.0 4.1 Collar, Matt. I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It – The 1975. AllMusic. [2021-01-04]. （原始內容存檔於2021-01-02）. 
  5. ^ Williams, Tom. The 1975 Share 'Poppy' & 'Unabashed' New Track 'The Sound'. Music Feeds. 2016-01-16 [2021-04-02]. （原始內容存檔於2020-09-23）. 
  6. ^ Matty Healy takes you inside 'I Like It When You Sleep...', NME's Album Of The Year 2016. YouTube. 2016-12-02 [2021-04-03]. （原始內容存檔於2021-04-03）. 
  7. ^ 7.0 7.1 7.2 7.3 Cox, Jamieson. The 1975's new album is ambitious, absurd, and kind of awesome. The Verge. 2016-02-25 [2021-03-30]. （原始內容存檔於2020-11-08）. 
  8. ^ 8.0 8.1 Green, Thomas. CD: The 1975 – I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. The Arts Desk. 2016-02-27 [2021-03-30]. （原始內容存檔於2020-09-20）. 
  9. ^ 9.0 9.1 Snapes, Laura. The 1975: I like it when you sleep, for you are so beautiful yet so unaware of it. Pitchfork. 2016-02-25 [2021-03-20]. （原始內容存檔於2021-01-02）. 
  10. ^ 10.0 10.1 10.2 10.3 10.4 10.5 10.6 Thomas, Jessica. Single Review: The 1975 – 'The Sound'. Renowned for Sound. [2021-03-30]. （原始內容存檔於2021-01-22）. 
  11. ^ Petridis, Alexis. The 1975: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It review – great pop, if not great art. The Guardian. 2016-02-25 [2021-04-01]. （原始內容存檔於2021-02-16）. 
  12. ^ 12.0 12.1 Empire, Kitty. The 1975: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It – review. The Guardian. 2016-02-28 [2021-03-20]. （原始內容存檔於2021-02-08）. 
  13. ^ 13.0 13.1 13.2 Harmsen, Natalie. The 1975's I Like It When You Sleep... A Track-by-Track Review. Atwood Magazine. 2016-06-14 [2021-03-27]. （原始內容存檔於2021-01-20）. 
  14. ^ Helman, Peter. The 1975 – 'The Sound' Video. Stereogum. 2016-02-25 [2021-04-01]. （原始內容存檔於2021-04-03）. 
  15. ^ Davidson, Amy. The 1975 just premiered new track 'The Sound' and it's their most 'pop' song yet. Digital Spy. 2016-01-15 [2021-04-01]. （原始內容存檔於2021-04-03）. 
  16. ^ Connick, Tom. The 1975 get scrutinised in 'The Sound' video. DIY. 2016-02-26 [2021-04-01]. （原始內容存檔於2016-10-26）. 
  17. ^ 17.0 17.1 Feeney, Nolan; Goodman, Jessica; O'Donnell, Kevin; Greenblatt, Leah; Vain, Madison; Brown, Eric. 20 best songs of 2016 (so far). Entertainment Weekly. 2016-05-25 [2021-04-01]. （原始內容存檔於2021-01-24）. 
  18. ^ With Its New Punk Anthem 'People,' The 1975 Remains One of the Most Intriguing Bands in the World. RockCellar. 2019-08-27. 
  19. ^ The 1975 – The Sound. Musicnotes.com. 2016-01-28 [2021-01-04]. （原始內容存檔於2021-03-14）. 
  20. ^ 20.0 20.1 20.2 20.3 The 200 Best Songs of the 2010s. Pitchfork. 2019-10-07 [2021-02-27]. （原始內容存檔於2019-10-07）. 
  21. ^ 21.0 21.1 21.2 Boghosian, Alison. 5 songs to know by The 1975. The Daily Orange. 2016-10-17 [2021-03-30]. （原始內容存檔於2020-11-08）. 
  22. ^ Sharples, Grant. 10 music videos from the 1975 that should get their own movies. Alternative Press. 2020-05-20 [2021-01-11]. （原始內容存檔於2020-12-16）. 
  23. ^ 23.0 23.1 Zaleski, Annie. The 1975 keeps people guessing on a self-aware, entertaining second album. The A.V. Club. 2016-02-26 [2021-03-20]. （原始內容存檔於2020-11-08）. 
  24. ^ 24.0 24.1 24.2 24.3 24.4 24.5 Hampton, Erin. The 1975 – The Sound. Euphoria Magazine. 2016-01-15 [2021-03-30]. （原始內容存檔於2021-04-03）. 
  25. ^ 25.0 25.1 25.2 25.3 25.4 Malone, Ailbhe. Pop Corner: The 1975 deliver The Sound to beat the January blues. The Irish Times. 2016-01-19 [2021-03-30]. （原始內容存檔於2016-03-06）. 
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  27. ^ 27.0 27.1 Connick, Tom. The 1975 – The Sound. DIY. 2016-01-15 [2021-04-01]. （原始內容存檔於2018-04-09）. 
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取自「https://zh.wikipedia.org/w/index.php?title=User:AIeydwerai/沙盒9&oldid=83907983」