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声音
"The Sound "
1975乐团的单曲
收录于专辑《美梦突袭》
发行日期2016年2月19日
类型
时长
  • 4:08（专辑版）
  • 3:47（电台版）
唱片公司
词曲
  • 马修·希利
  • 乔治·丹尼尔
  • 亚当·汉恩
  • 罗斯·麦克唐纳
制作人
1975乐团单曲年表
啊!
（2015年） 		声音
（2016年） 		别人
（2016年）
音乐视频
YouTube上的〈声音〉

〈声音〉（英语："The Sound"）是英国1975乐团的一首歌曲，收录于第二张录音室专辑《突袭美梦》中，由全体团员乔治·丹尼尔、马修·希利、亚当·汉恩、罗斯·麦克唐纳创作，麦克·克罗斯（英语：Mike Crossey）监制。这首歌作为专辑第四首单曲，于2016年2月19日由Dirty Hit与Polydor Records发行。〈声音〉由伦敦社区福音合唱团（英语：London Community Gospel Choir）提供和声。希利受到儿时的流行乐专辑启发，试图仿造该些过耳不忘的旋律，制作出一首“毫不掩饰”的流行歌曲。希利最初把歌送给一世代，但被该组合拒绝，于是乐团决定自己录制和演唱。

〈声音〉是一首浩室、流行、迪斯可和独立流行歌曲，以1980年代风格的极繁主义（英语：Maximalism）4/4（英语：Four on the floor (music)）节拍为特色。这首歌的伴奏包含迪斯可浩室钢琴、切分音合成器、合成弦乐和电吉他独奏，并含有新浪潮、放克和R&B等的元素。歌词主要聚焦在对于被关注、性爱和才智认可的渴望，详述了一段暗藏欺骗的恋爱关系。从始至终，希利不断表达其对爱人心跳声的迷恋。甫经发行，歌曲就获得当代音乐评论家的广泛好评，评论将其视为《突袭美梦》的佼佼者，部分则特别对歌曲的制作、歌词以及1975乐团拥抱流行乐的态度予以赞赏，并拿来与M83、傻瓜朋克、MGMT和Passion Pit（英语：Passion Pit）相提并论。

〈声音〉出现在许多媒体发布的年末和十年末歌单中，包括《新音乐快递》、《Pitchfork》和《时代杂志》。商业上，歌曲在英国单曲榜最高排名第15名，为乐团当时在榜上所取得的最高名次。此外它还在美国《告示牌》热门摇滚与另类歌曲榜名列第一，在爱尔兰和日本进入前五十名。歌曲其后获得英国唱片业协会的双白金认证（BPI）。由提姆·马蒂亚导演的音乐录影带于2016年2月26日释出，片中乐团身在一个霓虹玻璃立方体里，被陌生人围观著，针对乐团的批评文字则不时穿插出现。

背景和制作

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〈声音〉曾在一场创作聚会上被送给一世代

关于希利是否会与一世代合作的传言在2014年浮出水面[1]。他后来在一次与《Q》杂志的访谈中证实这些传言的真实性，透露他和乐团有进去过录音室。作为1975乐团专辑的粉丝，一世代曾邀请希利到办在伦敦的一次创作聚会。希利和乐团在录音室里待了几个小时，但不确定要向他们展示什么[1][2]。于是他决定秀给他们听听看1975乐团“更流行的试听带”，即〈声音〉。一世代成员对试听带的看法含糊不清，并表示想要做一首听起来像乐团其他歌曲的曲子[2]。对于这次经历，希利说：“我本以为事情会顺着我的意，但结果真的不是这么一回事。它没有产生共鸣，所以我想专注在我自己的事就好了吧”[1]

2016年1月14日，〈声音〉作为乐团的第二张专辑《突袭美梦》的第三首单曲提前于专辑发行[3][4]。单曲在BBC广播一台一档由安妮·麦克（英语：Annie Mac）主持的同名节目首播，在节目中，希利表示这首歌曲启发自他孩提时听的“流行乐耳虫，让耳朵怀孕的那种”，并称他自然而然地提取出“大流行唱片”的精华并且植入到歌曲里，特别是它们过耳不忘、朗朗上口的旋律。对于单曲在《突袭美梦》的收录，他觉得它自信爆棚的流行声音对比专辑的其他歌曲呈现出很大的反差，他告诉麦克：“（〈声音〉）流露出流行风格，可以说是毫不掩饰。”[5]在与《新音乐快递》的访谈中，希利透露〈声音〉是专辑中最老的一首曲目，桥段和副歌都是已做好的，产生自《The 1975》的创作会议。被问及当初为何将〈声音〉排除于他们第一张专辑背后的原因，他说乐团缺乏自信把它收录进去[6]。

词曲

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在音乐性上，〈声音〉是一首浩室[7][8][9]、流行[10][11][12][13]、迪斯可[14][15][16] 和独立流行[17][18]歌曲。根据哈尔·伦纳德音乐出版在Musicnotes.com上出版的乐谱，〈声音〉拍号设置于常态拍子（4/4拍），以中板的每分钟120拍速度演奏。这首歌由C大调创作而成，希利的人声音域位于G3和A4音的区间。乐曲有一段固定为F–Em–G–Am–Dm的和弦进程[19]。〈声音〉以1980年代风格的极繁主义（英语：Maximalism）4/4（英语：Four on the floor (music)）节拍为特色[20][21][22]，包含快节奏的韵律[10]、陈述性的和弦脉动、迪斯可浩室钢琴[23]、欢快且重复的钢琴旋律、切分音键和合成器[24]、教堂式的合成器[7]、合成器脉动[25]、紧张的放克吉他[26]、合成弦乐[27]、闷音电吉他，并在最后的后副歌有电吉他独奏[28]。歌曲采用一种声音变形的技术，这被《Spin》的布伦南·卡利（Brennan Carley）拿来和M83的作品比较[28]，同时由伦敦社区福音合唱团（英语：London Community Gospel Choir）提供人声和声及合唱[24]。这首歌曲也包含流行舞曲[24]、Electropop[25]、1980年代新浪潮[29]、放克[30]、R&B[31]、流行福音[32]、迪斯可浩室以及合成器流行的元素[33][34][35]。

Lyrically, "The Sound" describes a relationship that struggles with deceit and is written in a conversational style, while Healy delivers the lyrics in a sulking tone, according to Ailbhe Malone of The Irish Times.[21][25] The single opens with the chorus as Healy sings: "Well I know when you're around / 'Cause I know the sound / I know the sound / Of your heart".[10][26] The upbeat chorus is contrasted by verses filled with gibes and deceit: "You're so conceited that I say that I love you / What does it matter if I lie to you?"[36] He refuses to entertain the fear of rejection and displays self-awareness in the couplet: "It's not about reciprocation, it's just all about me / A sycophantic, prophetic, Socratic junkie wannabe."[7][24] The track contains sexual undertones presented as innuendos, such as the singer asking a woman to have an orgasm a second time: "Oh, baby, won't you come again?"[26][10] Healy also derides his partner for calling him out of boredom while she masturbates, despite having ended their relationship to preserve his mental health.[10][36] Throughout the song, Healy details an addiction-like obsession with the sound of his lover's heartbeat. The singer has memorised its cadence, contractions and expansions, and is now unable to live without it. Healy sings about knowing her heartbeat so intimately that he can hear it even when she is not around.[26] The singer focuses on his desire for attention, sex, intellectual validation, intimacy and immortality, and is eager to both promote himself and air his insecurities.[20]

Thomas Green of The Arts Desk described "The Sound" as a house song composed in a "Bryan Adams-with-Chicane-style",[8] while Pryor Stroud of PopMatters said the single contains "just one, continuous eruption of pure-pop kinetic energy".[26] Euphoria Magazine editor Erin Hampton called the track a "party anthem" and said it connects the 1980s-influenced pop of the previous singles from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It together.[24] Natalie Harmsen of Atwood Magazine deemed "The Sound" the album's most upbeat and "explosive" song, noting it drastically contrasts the rest of the record.[13] NME writer Rhian Daly also said the track is one of the album's most upbeat songs, both musically and lyrically, while comparing it to Stardust's "Music Sounds Better with You" (1998).[36] Chris DeVille of Stereogum noted similarities between "The Sound" and the works of Justice, Daft Punk, MGMT and Passion Pit.[33] Renowned for Sound editor Jessica Thomas said the single continues to distance the 1975 from their "darker self-titled days",[10] a sentiment shared by Malone, who noted the track takes a "left turn from indie".[25] In contrast, Alison Boghosian of The Daily Orange felt "The Sound" is reminiscent of their debut album.[21] Pitchfork writer Laura Snapes said the song's melody is evocative of the band's "She Way Out" (2013).[9] Kitty Empire of The Guardian described the track as a "withering look at a relationship".[12] Greer Clemens of MTV News said "The Sound" can be read on two tiers; casual listeners may hear the hook and groove, while deeper listeners would hear self-aware irony and subtle, constant self-criticising.[37] Annie Zaleski of The A.V. Club said the release exemplifies the mix of self-awareness and ambivalence present on the album, noting it "describes a totally self-absorbed guy who is yet alert enough to notice his crush".[23]

Critical reception

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Upon release, "The Sound" was met with widespread acclaim from contemporary music critics and later appeared on several year-end and decade-end lists. In NME's list of the 1975's best songs, "The Sound" was ranked at number two; Tom Smith said it has become "a knowing celebration of a band who stayed true to what they're good at – penning radio belters and having a laugh while doing so", while praising the playful attitude and "shimmering" production.[38] Collin Brennan of Consequence of Sound deemed the release a standout from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It.[39] Calling the track an album highlight, Jamieson Cox of The Verge praised the amount of hooks and labelled it an "irresistible bit of thumping house".[7] Matt Collar of AllMusic declared "The Sound" an album highlight and flatter the "brightly infectious" hooks, noting it is similar to the work of Prince.[4] Malone designated the song as her Track of the Week, commending the "transcendental [and] climaxing" chorus and calling it "fizzy, giddy and joyful and exactly what we need this grim January week".[25] Amy McCann of Variance deemed the track the album's best pre-release single, calling it "irresistible".[40]

Hampton praised the production of "The Sound" and its embrace of pop music, while calling it "fresh, body moving and beautifully produced".[24] Sean Adams of Drowned in Sound commended the song's "anthemic magic" and Matthew Strauss of Pitchfork said: "It's fun and clever and anthemic while taking the piss out of big anthems at the same time."[20][41] Thomas lauded the track's "infectious" beat, saying it is "undeniably one darn catchy pop tune crafted with the signature [t]he 1975 flair".[10] Tom Connick of DIY commended the 1990s-style production of "The Sound", self-referential lyrics and embrace of pop music, calling it "an unashamed throwback to the massive pop of days gone by, relishing in the glitz and glamour that the charts are so sadly devoid of".[27] Alex Ross of The Fader called the single a "soaring, danceable anthemic track", commending the lyrical reflection and sense of escapism, while highlighting its blend of 1980s synths, 1970s rock and late 1990s style.[42] Harmsen said the track "seamlessly" combines aspects of 1990s and modern pop, while praising its "ease and happiness".[13] Rolling Stone editors Jon Dolan, Brittany Spanos and Christopher Weingarten lauded the "neon-bright enthusiasm" and "tenderly catchy refrain" of "The Sound", saying the guitar solo and synths reference 1980s new wave without "getting too lost in nostalgia".[29]

Jonathan Wroble of Slant Magazine called "The Sound" an "ultraclean early Prince sendup" and Kika Chatterjee of Alternative Press compared it to Rick Astley "in a way that is, somehow, positive".[43][44] Carley said the song demonstrates "exactly how modern pop-rock groups should be doing things" while noting it "bodes well for the future of a very, very promising new album".[28] Carl Williott of Idolator said the track's release made it "immediately apparent that this British foursome didn't deserve to be lumped in with those other purveyors of optimized pap".[45] Lucas Fagen of Hyperallergic felt "The Sound" revives the album from a mid-album lull, saying it "would dominate the radio all summer if funk-lite still got airplay".[30] Stroud said the single's energy never appears to be out of control, writing it is "curated [and] fine-tuned to express an overwhelming infatuation without becoming overwhelmed by this infatuation itself".[26] Daly lauded the "piercing" synth stab, "glorious [disses]" and Hann's "triumphantly scorching" guitar solo.[36] Clemens highlighted the chorus and deemed it "one of [t]he 1975's catchiest lyrics", but also noted that some listeners may find the track's lyrics to be sexist, clichéd or "borderline sociopathic".[37] Exclaim! editor Ian Gormely highlighted the "soaring" chorus',[32] while Andy Baber of musicOMH called it "irresistible".[46]

Accolades

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Critical rankings for "The Sound"
Critic/Organization Time span Rank Published
year
Ben Beaumont-Thomas (The Guardian) Year-end * 2016[47]
Entertainment Weekly Mid-year 19 2016[17]
NME Year-end 12 2016[48]
Pitchfork Decade-end 178 2019[20]
Popjustice Year-end 38 2016[49]
PopMatters Year-end 4 2016[50]
Rolling Stone Mid-year 1 2016[29]
Red Bull Year-end 25 2016[51]
Spin Year-end 19 2016[52]
Tampa Bay Times Year-end 2 2016[34]
Time Year-end 2 2016[53]

Commercial performance

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In the United Kingdom, "The Sound" peaked at number 15 on the UK Singles Chart before later being ranked at number 91 on the chart's year-end edition,[54][55] becoming the band's most commercially successful release at the time.[56] Additionally, the song reached number 11 in Scotland.[57] The track was later certified double platinum by the British Phonographic Industry (BPI), denoting over 1,200,000 certified units in the UK.[58] Elsewhere in Europe, "The Sound" peaked at number 25 in Ireland,[59] number 28 on the Belgium Ultratip Flanders chart and number 84 in Finland.[60][61]

In the United States, "The Sound" reached number nine on the US Billboard Hot Rock & Alternative Songs and was later ranked at number 26 on the chart's year-end edition.[62][63] Also in the US, the single peaked at number three on the Billboard Bubbling Under Hot 100 Singles chart,[64] number 24 on the Billboard Adult Top 40 chart,[65] number 32 on the Billboard Digital Song Sales chart and number 34 on the Billboard Mainstream Top 40 chart.[66][67] Elsewhere in North America, the track reached number 91 on the Billboard Canadian Hot 100.[68] In South America, "The Sound" peaked at number 10 on the Argentina Airplay chart.[69] In the Asia-Pacific region, "The Sound" peaked at number 53 in Australia and number six on the New Zealand Heatseekers chart.[70][71] The track was later certified gold by the Australian Recording Industry Association (ARIA), denoting over 35,000 certified units in Australia.[72] In Japan, the song reached number 42 on the Billboard Japan Hot 100.[73]

Music video

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An accompanying music video, directed by Tim Mattia, was released on 25 February 2016.[74] The video begins with the 1975 performing "The Sound" inside transparent pink neon-lit box,[75][76] which the band use for their live performances.[77] During their performance,[76] strangers dressed in sterile white outfits slowly begin gathering to observe and get a closer look at the band.[77][78][79] As the observing crowd begin talking to one another, words flash up on pink screens, representing critiques levelled at the band.[75][76][77] The phrases include insults such as: "Terrible high-pitched vocals", "Punch-your-TV obnoxious", "Unconvincing emo lyrics", "Is this a joke?" and "Do people really still make music like this?", among others.[76][77] Other derogatory remarks about their debut album continue to be interspersed throughout the visual.[76] The box begins to fog up and the 1975 appear apprehensive about their situation, with Healy writing "Help Me" on one of the walls.[75][76] However, the band is suddenly transported away, and are able to watch the previously critical audience trapped inside the box.[75][76]

Lindsey Sullivan of Billboard viewed the video as a rebuttal of the 1975's critics, saying the "Manchester men are just as candid as they are catchy".[78] Larry Bartleet of NME called the visual "critic-trolling", while highlighting its "we don't give a shit" message and saying "you should probably get over yourself right now ... because no one cares. The 1975, especially, could really not care less".[75] Althea Legaspi of Rolling Stone praised the video's humour, noting it "finds [the band] taking on their critics in a humorous way".[76] Williot called the visual clever.[80] Emmy Mack of Music Feeds praised the 1975's "savvy hyper-awareness" and humour, deeming the video "smarter than your average".[81]

Credits and personnel

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Credits adapted from I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It album liner notes.[82]

Charts

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Certifications

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Certifications and sales for "The Sound"
地区 认证 认证单位/销量
澳大利亚（澳大利亚唱片业协会）[72] 金 35,000‡
英国（英国唱片业协会）[58] 2× 白金 1,200,000‡
美国（美国唱片业协会）[84] 白金 1,000,000‡

‡仅含认证的流媒体+实际销量

See also

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References

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  1. ^ 1.0 1.1 1.2 The 1975 Nearly Gave 'The Sound' to One Direction. DIY. 2016-10-19 [2021-04-02]. （原始内容存档于2017-08-12）. 
  2. ^ 2.0 2.1 Here's the truth about The 1975 writing songs for One Direction. BBC Radio 1. [2021-04-02]. （原始内容存档于2018-09-15）. 
  3. ^ Manders, Hayden. The 1975 Debut 'The Sound' on Annie Mac. Nylon. 2016-01-14 [2021-04-02]. （原始内容存档于2020-11-24）. 
  4. ^ 4.0 4.1 Collar, Matt. I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It – The 1975. AllMusic. [2021-01-04]. （原始内容存档于2021-01-02）. 
  5. ^ Williams, Tom. The 1975 Share 'Poppy' & 'Unabashed' New Track 'The Sound'. Music Feeds. 2016-01-16 [2021-04-02]. （原始内容存档于2020-09-23）. 
  6. ^ Matty Healy takes you inside 'I Like It When You Sleep...', NME's Album Of The Year 2016. YouTube. 2016-12-02 [2021-04-03]. （原始内容存档于2021-04-03）. 
  7. ^ 7.0 7.1 7.2 7.3 Cox, Jamieson. The 1975's new album is ambitious, absurd, and kind of awesome. The Verge. 2016-02-25 [2021-03-30]. （原始内容存档于2020-11-08）. 
  8. ^ 8.0 8.1 Green, Thomas. CD: The 1975 – I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. The Arts Desk. 2016-02-27 [2021-03-30]. （原始内容存档于2020-09-20）. 
  9. ^ 9.0 9.1 Snapes, Laura. The 1975: I like it when you sleep, for you are so beautiful yet so unaware of it. Pitchfork. 2016-02-25 [2021-03-20]. （原始内容存档于2021-01-02）. 
  10. ^ 10.0 10.1 10.2 10.3 10.4 10.5 10.6 Thomas, Jessica. Single Review: The 1975 – 'The Sound'. Renowned for Sound. [2021-03-30]. （原始内容存档于2021-01-22）. 
  11. ^ Petridis, Alexis. The 1975: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It review – great pop, if not great art. The Guardian. 2016-02-25 [2021-04-01]. （原始内容存档于2021-02-16）. 
  12. ^ 12.0 12.1 Empire, Kitty. The 1975: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It – review. The Guardian. 2016-02-28 [2021-03-20]. （原始内容存档于2021-02-08）. 
  13. ^ 13.0 13.1 13.2 Harmsen, Natalie. The 1975's I Like It When You Sleep... A Track-by-Track Review. Atwood Magazine. 2016-06-14 [2021-03-27]. （原始内容存档于2021-01-20）. 
  14. ^ Helman, Peter. The 1975 – 'The Sound' Video. Stereogum. 2016-02-25 [2021-04-01]. （原始内容存档于2021-04-03）. 
  15. ^ Davidson, Amy. The 1975 just premiered new track 'The Sound' and it's their most 'pop' song yet. Digital Spy. 2016-01-15 [2021-04-01]. （原始内容存档于2021-04-03）. 
  16. ^ Connick, Tom. The 1975 get scrutinised in 'The Sound' video. DIY. 2016-02-26 [2021-04-01]. （原始内容存档于2016-10-26）. 
  17. ^ 17.0 17.1 Feeney, Nolan; Goodman, Jessica; O'Donnell, Kevin; Greenblatt, Leah; Vain, Madison; Brown, Eric. 20 best songs of 2016 (so far). Entertainment Weekly. 2016-05-25 [2021-04-01]. （原始内容存档于2021-01-24）. 
  18. ^ With Its New Punk Anthem 'People,' The 1975 Remains One of the Most Intriguing Bands in the World. RockCellar. 2019-08-27. 
  19. ^ The 1975 – The Sound. Musicnotes.com. 2016-01-28 [2021-01-04]. （原始内容存档于2021-03-14）. 
  20. ^ 20.0 20.1 20.2 20.3 The 200 Best Songs of the 2010s. Pitchfork. 2019-10-07 [2021-02-27]. （原始内容存档于2019-10-07）. 
  21. ^ 21.0 21.1 21.2 Boghosian, Alison. 5 songs to know by The 1975. The Daily Orange. 2016-10-17 [2021-03-30]. （原始内容存档于2020-11-08）. 
  22. ^ Sharples, Grant. 10 music videos from the 1975 that should get their own movies. Alternative Press. 2020-05-20 [2021-01-11]. （原始内容存档于2020-12-16）. 
  23. ^ 23.0 23.1 Zaleski, Annie. The 1975 keeps people guessing on a self-aware, entertaining second album. The A.V. Club. 2016-02-26 [2021-03-20]. （原始内容存档于2020-11-08）. 
  24. ^ 24.0 24.1 24.2 24.3 24.4 24.5 Hampton, Erin. The 1975 – The Sound. Euphoria Magazine. 2016-01-15 [2021-03-30]. （原始内容存档于2021-04-03）. 
  25. ^ 25.0 25.1 25.2 25.3 25.4 Malone, Ailbhe. Pop Corner: The 1975 deliver The Sound to beat the January blues. The Irish Times. 2016-01-19 [2021-03-30]. （原始内容存档于2016-03-06）. 
  26. ^ 26.0 26.1 26.2 26.3 26.4 26.5 Stroud, Pryor. The 1975 – I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. PopMatters. 2016-06-06 [2021-03-23]. （原始内容存档于2016-06-06）. 
  27. ^ 27.0 27.1 Connick, Tom. The 1975 – The Sound. DIY. 2016-01-15 [2021-04-01]. （原始内容存档于2018-04-09）. 
  28. ^ 28.0 28.1 28.2 Carley, Brennan. The 1975 Harness Pop's Inner Core for 'The Sound'. Spin. 2016-01-14 [2021-03-30]. （原始内容存档于2020-12-21）. 
  29. ^ 29.0 29.1 29.2 Dolan, Jon; Spanos, Brittany; Weingarten, Christopher. 30 Best Songs of 2016 So Far. Rolling Stone. 2016-06-22 [2021-03-30]. （原始内容存档于2019-04-27）. 
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